Reading #4 (of 6). This is probably a series with which I could have done without, but now I'm in it for the completist factor.
I do like the John Watson cover art, though.
Magazines, novels, articles, poetry, interviews or other textual (and sometimes illustrated) media that's currently caught the mind of Adam Creighton ...
Saturday, September 29, 2007
Saturday, September 22, 2007
World War Hulk
World War Hulk #4 continues the solid, up/down ride of the series, and is, frankly, a better part of the series than the mainline Incredible Hulk book.
Greg Pak is writing some top-notch scenes, and John Romita, Jr. and Klaus Janson's art is pretty. Gritty pretty, but pretty.
And we get some more "sideline Sentry" moments (and a little more info as to why he's sidelining), and the last two-page spread is one of the better "to-be-continued" spreads I've seen in a while.
Greg Pak is writing some top-notch scenes, and John Romita, Jr. and Klaus Janson's art is pretty. Gritty pretty, but pretty.
And we get some more "sideline Sentry" moments (and a little more info as to why he's sidelining), and the last two-page spread is one of the better "to-be-continued" spreads I've seen in a while.
Friday, September 21, 2007
Marvel Comics Presents
Marvel just relaunched their Marvel Comics Presents series, and issue #1 has a potpourri of three too-short prologues, the first installment of a Hellcat (Patsy Walker) story by Kathryn Immonen (and art by Stuart Immonen), the first of a 12-part Weapon Omega story by Rich Koslowski (art by Andrea Di Vito), and Spider-Man (Stuart Moore / Clayton Henry) and Thing (Nelson / Dave Sharpe) one-shots.
It's a bit a slow re-start for the series, but I'll probably hang out to see if it picks up.
The prologues are, again, too short, with only prologue #2 piquing my interest (thanks to the last panel).
I like the Hellcat story -- I think Kathryn Immonen's feminine writer sensibilities come through in a cool way, and the Stuart Immonen art is sharp and poppy.
"Weapon Omega"? Mheh. I mean, the Omega Flight limited series just didn't get anything done, and this series doesn't seem to be doing any more on that front. And I really don't like U.S. Agent (the Guy Gardner of the Marvel U he's not, no matter how hard they try).
The Spider-Man story is fun, if a bit throw-away, and Henry's work is really slick, and the Sotocolors ... colors ... are well-done. Moore's dialogue is spot-on, too, and the whole story is playful enough.
The Thing story is well laid out, wtih good use of panels, framing, and flashback devices, with a good sentimental vibe. I think it would have been better served as an additional story in a Fantastic Four annual, though.
So, the series gets another couple of issues to grab me.
It's a bit a slow re-start for the series, but I'll probably hang out to see if it picks up.
The prologues are, again, too short, with only prologue #2 piquing my interest (thanks to the last panel).
I like the Hellcat story -- I think Kathryn Immonen's feminine writer sensibilities come through in a cool way, and the Stuart Immonen art is sharp and poppy.
"Weapon Omega"? Mheh. I mean, the Omega Flight limited series just didn't get anything done, and this series doesn't seem to be doing any more on that front. And I really don't like U.S. Agent (the Guy Gardner of the Marvel U he's not, no matter how hard they try).
The Spider-Man story is fun, if a bit throw-away, and Henry's work is really slick, and the Sotocolors ... colors ... are well-done. Moore's dialogue is spot-on, too, and the whole story is playful enough.
The Thing story is well laid out, wtih good use of panels, framing, and flashback devices, with a good sentimental vibe. I think it would have been better served as an additional story in a Fantastic Four annual, though.
So, the series gets another couple of issues to grab me.
Thursday, September 20, 2007
Captain America
I just finished Captain America #30, and Ed Brubaker continues to amaze. the book's become a serial pulp noir spy thriller with multiple layers without the titular character.
And Steve Etping's layouts, perspectives, and background detail keep getting better and better. Check out Dr. Benjamin's study; Stark's monitors; the photo of Captain America, Bucky, Fury, and Dugan. Nice stuff.
And Steve Etping's layouts, perspectives, and background detail keep getting better and better. Check out Dr. Benjamin's study; Stark's monitors; the photo of Captain America, Bucky, Fury, and Dugan. Nice stuff.
Subscribe to:
Posts (Atom)